The shows
The appeal of New York as a fun place is due largely to our friend Erle. He is solely responsible for our social life in that great city. Without him, we’d probably skip the city all together. Evenings, mostly planned by Erle, were spent thus:
Tuesday- An evening of chamber music, Schumann & Stravinsky. Admission free; delightful music, storytelling and mime by Juilliard students.
Wednesday- Juilliard Orchestra- Schumann, Beethoven, Bartok; Joseph Kalichstein at the piano. We had never heard of him but he was in all the papers.
Thursday- The Met: Samson & Dalila, Saint Saënz. We had never seen it before. Our box seats had a restricted view of the left side of the stage where a lot of the action took place. I could actually hum to the music of Act 2, which I suspect is the part most people come for as evidenced by the number of them who didn’t come back after the intermission.
Friday- Broadway: The Producers. Predictable.
Saturday- The Met: La Forza del Destino, Verdi. Again, never seen before. The miserable plot was redeemed by the beautiful music and my conviction that the star, Salvatore Licitra, had picked me out and was smiling only at me at the curtain calls. Jet lag sometimes does that. Or maybe it was the shock of the cost of our front row seats.
Several Met seasons ago, tenor Licitra had gamely taken on a house full of Pavarotti devotees (there was also an enormous crowd watching a giant screen on the courtyard outside the theater) after the maestro called in sick.
Sunday- Broadway: Spamalot. Very enjoyable. Stuart found it a bit tame though, not embarrassingly crass enough . The fact that this was the first outing all week where I didn’t have to fight to keep awake during the critical first fifteen minutes of the performance owes a lot to my familiarity with the material as a result of constant exposure to Stuart’s iPod repertoire.
The restaurants
And then there were the restaurants. Let’s skip the unavoidable food court lunches at Macy’s and Bloomingdale’s, shall we? Lunches at MOMA were infinitely more enjoyable- at The Modern and at Cafe 2.
Dinners before performances at the Lincoln Center: Pan e vino is always exciting, everybody all a-quiver with anticipation of the evening’s performance. I was there four times in one week so I had to repeat my choice for the set menu.
Then there was Cafe Fiorello across the road from the Lincoln. Cheerful and noisy crowd; beautiful coats and fur hats.
By the way, I like the idea of having dinner at the opera itself: one course per Act. Very nice; must try it sometime.
And then there was Zucco on Orchard and Houston, say “House-ton” or the taxi driver won’t take you.
I wanted to curl up and sleep at the tiny table beside the radiator. (It was a tablet, actually, the place is so small- 8 people at little tables like ours, then about 8 more can squeeze in at the bar!) I had a cozy cassoulet, so delicious and thick and hot, I would have been happy to swim in it.
And jazz at Cajun. We loved it last year but Hurricane Katrina had obviously put a damper on all things Creole this year. The young jazz trio played beautifully but no one was listening.
There was too, the formerly tres chic La Côte Basque, recently downgraded to brasserie. I can’t remember what I had there. Maybe that means something?
We looked in at Matsuri but just checked out the decor. Huge temple to the gods of sushi and sashimi.
The bars
The bar at our hotel was sadly lacking in character. All suits and briefcases. So late nights were better spent at Spice Market for margaritas and cumquat mojitos.
And Nobu for sambucca with coffee beans swimming at the bottom of the glass.
Too bad about that pretty girl at the bar in Nobu, all alight and sparkly one minute then sickly green in the face and spectacularly legless the next. Her date was not amused.